Meredith Patterson's net worth is estimated at between $150,000 and $1,200,000, based on her verified Broadway principal and chorus credits, television and film appearances, soap opera work, and ancillary income from cast recordings and commercial activity. For related coverage of a different person with a similar name, see Meredith Hudkins net worth. No audited or publicly disclosed net-worth figure exists for her in any major financial registry, so this range is a transparent model built from publicly available pay-rate benchmarks and credit histories, not a confirmed number. The wide range reflects genuine data gaps around specific contract terms, residual performance, and private financial holdings.
Meredith Patterson Net Worth: 2026 Estimate & Wealth Profile
Who is Meredith Patterson? A quick career snapshot
Meredith Ann Patterson was born on November 24, 1975, in Concord, California. She is a musical theatre and television actress who has been professionally active since approximately 2000. Her stage career is her primary financial engine: she holds dual union membership in Screen Actors Guild (SAG-AFTRA) and Actors' Equity Association, which places her in the professional tier for both theatrical and recorded-media work.
Her most prominent Broadway credit is the role of Peggy Sawyer in 42nd Street, a principal role that sits at or above Equity minimum weekly pay scales. Beyond Broadway, her screen work includes a 25-episode run on the daytime soap opera All My Children, a supporting appearance in The Princess Diaries 2: Royal Engagement (2004), and a role in Jim Jarmusch's Broken Flowers (2005). She has also accumulated a record of regional theatre productions, guest television arcs, cast recordings, and commercial spots (including a Burger King spot noted in her Encyclopedia.com entry). More recently, local press profiles have flagged entrepreneurial activity including online courses, suggesting she has built income streams beyond traditional union work.
A note on disambiguation
Two public figures share the name Meredith Patterson, and it is worth being explicit about which one this article covers. Meredith L. Patterson is a separate individual: an independent researcher and writer in computational linguistics and computer security, whose publication record includes a peer-reviewed paper at the USENIX UPSEC 2008 symposium ('Freezing More Than Bits: Chilling Effects of the OLPC XO Security Model'). Her income profile is categorically different from the actress covered here, drawing from research consulting, technical writing, and potentially speaking engagements rather than entertainment union contracts. The Bureau of Labor Statistics median annual wage for computer and information research scientists was $140,910 as of May 2024, which provides a rough benchmark for Meredith L. Patterson's professional income tier, but she falls outside the scope of this entertainment-focused profile. This article covers only Meredith Ann Patterson, the actress. For the other performer, see Meredith Eaton net worth for that individual's financial profile. For information on the similarly named Meredith Hayden, see the separate profile covering Meredith Hayden net worth. Readers interested in other Merediths in entertainment may also find useful context in profiles of Meredith Baxter, Meredith Eaton, Meredith Hayden, and Meredith Hudkins, all of whom have separate wealth profiles on this site.
Where her money comes from
Broadway and theatrical income
Broadway is the highest-paying tier of theatrical work for Actors' Equity members. As of the 2024-2025 Equity agreements, weekly minimums for Broadway principals exceed $2,500 per week, with chorus and featured performers in the $1,800 to $2,200 range at minimums. Principal roles in long-running or touring productions frequently negotiate above scale. A single Broadway run of, say, six months at principal minimum would generate roughly $60,000 to $65,000 in gross wages before taxes and union dues. Patterson's IBDB record shows multiple Broadway and high-profile regional credits, so cumulative theatrical earnings over a two-decade career likely represent the single largest block of her income history, even if those earnings were spread over years rather than arriving as a lump sum.
Television, film, and soap opera residuals
Her 25-episode run on All My Children is a meaningful residual asset. SAG-AFTRA's agreements with AMPTP specify residual payments when covered programming is rebroadcast, sold to streaming services, or distributed in foreign markets. Daytime drama residuals from legacy catalog titles like All My Children (which has had continued digital distribution through platforms like YouTube and streaming archives) produce modest but ongoing income streams. Feature film appearances in The Princess Diaries 2, a Disney property with continued home-video and streaming life, and Broken Flowers, an art-house film with ongoing international distribution, also generate small periodic residual checks. These are not large numbers individually, but they accumulate over time and represent passive income that continues without additional work from Patterson.
Cast recordings and music royalties
Participation in Broadway or regional cast recordings generates royalties under union agreements whenever those recordings are sold or streamed. Cast recording royalties are typically split among many participants and are not substantial income on their own, but they represent a small, durable income line. Patterson's Encyclopedia.com entry confirms multiple cast recording credits, which would generate ongoing streaming micro-royalties via platforms like Spotify and Apple Music.
Commercials and endorsements
Commercial work can be disproportionately lucrative relative to screen time. A national SAG-AFTRA commercial produces an upfront session fee plus reuse payments every time it airs, and a campaign that runs heavily in primetime can generate tens of thousands of dollars. The Burger King commercial noted in her credits is one confirmed example, but the full commercial history and the associated residual flows are not publicly documented. This is a meaningful unknown in the net-worth model.
Digital products and online courses
A Voyage LA profile of Patterson references online courses and entrepreneurial activity in her more recent career phase. A Voyage LA profile, Rising Stars: Meet Meredith Patterson, Voyage LA (profile/interview), specifically notes her online courses and entrepreneurial activity Rising Stars: Meet Meredith Patterson — Voyage LA (profile/interview). Online course platforms can generate passive income ranging from a few hundred dollars a month to several thousand, depending on pricing, marketing, and audience size. Without disclosed revenue figures, this line item is flagged as unverified but potentially meaningful to her current income mix.
Income and assets at a glance
| Income or Asset Category | Estimated Range or Value | Confidence Level | Notes |
|---|---|---|---|
| Broadway principal/featured role wages (cumulative, career) | $300,000 – $700,000 | Moderate | Modeled from Equity minimums and credit volume; specific contract terms not public |
| Regional theatre wages (cumulative) | $50,000 – $150,000 | Low–Moderate | Regional rates vary widely; credit count approximate |
| TV/film appearance fees (All My Children, guest arcs, films) | $40,000 – $120,000 | Moderate | Episode counts from IMDb/Wikipedia; SAG day/week rates applied |
| SAG-AFTRA and Equity residuals (ongoing, annual) | $2,000 – $10,000 per year | Low | Depends on distribution activity; legacy catalog residuals decline over time |
| Commercial session fees and reuse payments | $10,000 – $50,000 (career) | Low | Only one confirmed commercial credit; full history unknown |
| Cast recording royalties (annual) | $500 – $3,000 per year | Low | Streaming micro-royalties across multiple recordings; amounts not disclosed |
| Online courses and digital products | $5,000 – $30,000 per year (recent) | Very Low / Unverified | Referenced in local press; no disclosed revenue figures |
| Real estate equity | Unknown | Unverified | No public property records confirmed in this research pass |
| Retirement/pension accounts (Equity, SAG-AFTRA) | Accruing | Low | Union pension plans exist; vesting and balance not disclosed |
| Investment accounts / savings | Unknown | Unverified | No public SEC filings or disclosed brokerage accounts found |
Known assets
No public property records, SEC filings, or business ownership registrations have been located for Meredith Ann Patterson in the course of this research. This absence of public record is common for working actors who do not own production companies, have not filed with securities regulators, and whose real estate transactions have not attracted press coverage. It does not mean she holds no assets; it means those assets are private and not verifiable through publicly accessible databases.
What can be stated with moderate confidence: as a vested member of both Actors' Equity Association and SAG-AFTRA with over two decades of credited work, she is likely enrolled in both union pension plans. The Equity pension plan and the SAG-AFTRA pension plan both require minimum earnings thresholds per year to earn credit, and a long career of active work would have accumulated meaningful pension credits. The actual balance or projected benefit is not publicly disclosed. These pension assets are real but unquantified in this profile.
Known liabilities and financial risks
No public court judgments, liens, bankruptcies, or disclosed mortgage liabilities have been found for Meredith Ann Patterson. This is another area where absence of public record is the honest finding rather than a confirmed clean balance sheet. The structural financial risks for a working actor of her profile are worth noting even without specific verified figures. Income volatility is the primary risk: theatrical and television work is episodic, and periods between contracts can involve extended income gaps. The transition away from peak Broadway activity toward regional work and digital products, visible in her career trajectory, suggests an adaptive response to that volatility but also a potential reduction in peak earning capacity. Union dues, agent commissions (typically 10-15% of gross bookings), and manager fees (if applicable, often another 10-15%) represent a consistent liability against gross income. A working actor earning at Equity minimums effectively nets considerably less than the stated weekly rate once those deductions are applied.
Net worth over time: a financial timeline
| Period / Event | Financial Significance | Estimated Impact | Verification Status |
|---|---|---|---|
| c. 2000 – Early career stage and TV work begins | First union wages; SAG-AFTRA and Equity eligibility established | Low annual income, career-building phase | Verified (credits documented in Encyclopedia.com and IMDb) |
| 2001–2004 – All My Children (25 episodes, daytime soap) | Sustained SAG television income over multiple episodes; residual base established | Estimated $40,000–$80,000 in session fees (unverified contract terms) | Credit count verified via Wikipedia filmography; dollar amounts estimated |
| 2004 – The Princess Diaries 2: Royal Engagement (Disney) | Studio film credit; SAG scale or above; ongoing Disney distribution residuals | Session fee estimated at SAG scale (low five figures); residuals ongoing but small | Credit verified via IMDb and Wikipedia; financial terms not public |
| 2005 – Broken Flowers (Jim Jarmusch / Focus Features) | Art-house film with international distribution; residuals from foreign markets | Session fee at SAG scale; modest ongoing residuals | Credit verified; financial terms not public |
| Mid-2000s–2010s – Broadway run including 42nd Street (Peggy Sawyer) | Principal Broadway credit at or above Equity principal minimum; highest-earning single engagement likely in this period | Estimated $50,000–$130,000 per run depending on length (UNVERIFIED contract terms) | Credit verified via IBDB and Playbill; specific run length and rate not confirmed |
| 2010s – Continued regional theatre and guest TV arcs | Consistent but lower-peak union income; residual base expands | Estimated $20,000–$60,000 per active year | General credit volume verified via IMDb; specific contracts not public |
| Post-2018 (approx.) – Online courses and entrepreneurial activity | Non-union income stream; potential for passive digital revenue | Estimated $5,000–$30,000 per year (UNVERIFIED; no disclosed revenue) | Referenced in Voyage LA profile; no financial documentation confirmed |
| Ongoing – Union pension accrual (Equity + SAG-AFTRA) | Long-term asset building through union pension plans | Accruing; balance and projected benefit not disclosed | Pension plan existence verified; individual balance not public |
How we built this estimate
This profile follows the same methodology used across this site's wealth profiles: we gather verified credit histories from primary databases (IBDB, IMDb, Wikipedia, Encyclopedia.com), apply publicly available union pay scale data (Actors' Equity minimums from Backstage industry reporting, SAG-AFTRA rate cards), model residual income using the SAG-AFTRA/AMPTP memoranda of agreement frameworks, and flag every line where specific contract terms are unknown. We do not invent numbers to narrow a range artificially.
The $150,000 to $1,200,000 range is intentionally wide. The low end reflects a scenario where runs were short, residuals have diminished, and no significant private wealth has accumulated. The high end reflects a scenario of multiple above-scale Broadway contracts, strong residual performance from the Disney catalog, and sustained digital product income over recent years. Without access to tax records, property registries, or financial disclosures, we cannot responsibly compress that range further. Confidence level: Low to Moderate. Last updated: July 2026.
- Primary credit sources: IBDB, IMDb, Wikipedia (filmography), Encyclopedia.com (Contemporary Theatre, Film and Television)
- Pay scale benchmarks: Actors' Equity Association minimum rates as reported by Backstage (2024-2025 season)
- Residual framework: SAG-AFTRA / AMPTP Memorandum of Agreement (streaming and broadcast residual provisions)
- Labor market benchmark for Meredith L. Patterson (separate individual): BLS Occupational Outlook Handbook, Computer and Information Research Scientists, median wage $140,910 (May 2024)
- No audited net-worth figure found on major financial trackers, business press lists, or public filings for either Meredith Ann Patterson or Meredith L. Patterson
- Dollar amounts in the timeline and income table are modeled estimates unless explicitly marked as verified
FAQ
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SEO title: "Meredith Patterson Net Worth 2026 — Research-Based Estimate & Sources". Meta description (≤160 chars): "Transparent, source-backed estimate of Meredith Patterson's net worth with methodology, income breakdown and timeline." (See methodology and sources below for basis.) (Last updated: 2026-07-22.)
One-line net-worth snapshot for Meredith Patterson (actress) and for Meredith L. Patterson (researcher).
Meredith Ann Patterson (actress): Estimated net worth range $150,000–$1,200,000 — range reflects verified Broadway/TV credits and modeled pay/residuals but lacks public contract or asset records (IBDB; Playbill; Wikipedia; Backstage; SAG‑AFTRA). Meredith L. Patterson (researcher): No public net-worth data available; likely net worth consistent with career-stage technical researcher/consultant (plausible range $50,000–$500,000) based on typical researcher wages and conference/consulting activity (BLS; USENIX). Citations: IBDB; Playbill; Wikipedia (Meredith Patterson; Meredith L. Patterson); BLS; USENIX/UPSEC.
Concise biography and career summary explaining how each Meredith Patterson likely generated wealth.
Meredith Ann Patterson (b. 1975) is a musical-theatre and TV actress with Broadway credits (e.g., Peggy Sawyer in 42nd Street), stage recordings, TV/film guest roles and a multi-episode soap appearance; primary wealth sources: theatrical salaries (Actors’ Equity/Broadway pay), TV/film pay and SAG‑AFTRA residuals, cast-recording royalties, commercial work and occasional teaching/online courses (IBDB; Playbill; Encyclopedia.com; Wikipedia; Backstage; SAG‑AFTRA). Meredith L. Patterson is a computer/security researcher and author with peer-reviewed conference papers (USENIX/UPSEC) and industry speaking; likely income sources: salaried positions, consulting, speaker fees, book/technical royalties, and grants/awards (Wikipedia; USENIX; BLS).
What are the detailed income-source categories to model for Meredith Ann Patterson (actress)?
Income-source categories to include: 1) Broadway/Equity weekly salaries (principal and ensemble runs) — estimate using Actors’ Equity minimums (Backstage). 2) Regional/off-Broadway/ touring salaries (equity scales). 3) TV/film fees for guest roles and feature small parts (IMDb; Wikipedia). 4) Soap-operas/recurring TV pay and episode counts (IMDb/Wikipedia). 5) SAG‑AFTRA residuals from TV/film/cable/streaming (AMPTP/SAG‑AFTRA MOA). 6) Cast-recording royalties and CD/digital sales. 7) Commercial/advertising fees (known commercial credits listed in Encyclopedia.com). 8) Teaching, workshops, online courses and clinics (local press/profile). 9) Endorsements or one-off appearances. For each category gather contract dates, rates, episode counts, royalty statements, union-scale guidance and distribution history to model flows (sources: IBDB; Encyclopedia.com; Playbill; IMDb; AMPTP; Backstage).
What are the detailed income-source categories to model for Meredith L. Patterson (researcher)?
Income-source categories: 1) Salaried employment (university, research lab, or private sector) — verify employer and payroll history. 2) Consulting contracts and contractor invoices. 3) Conference speaking fees and honoraria (USENIX/UPSEC records). 4) Royalties from papers, books or tutorials (publisher records). 5) Grants, fellowships or awards (grant databases). 6) Equity or compensation from startups or projects (company filings). Gather CV, employer records, LinkedIn, ORCID, conference programs, and any contracting invoices to estimate earnings (sources: USENIX/UPSEC; Wikipedia; BLS wage benchmarks).
What assets and liabilities should researchers try to verify?
Assets to verify: 1) Real estate ownership and sale dates/values (county property records). 2) Investment accounts (SEC filings, if any, or beneficial ownership reports; broker records where public). 3) Business ownership/equity (state business registry, Secretary of State filings). 4) Retirement accounts/pensions (rarely public — infer from employer type). 5) Intellectual-property assets (royalty-bearing recordings, publications). Liabilities to verify: mortgage records (recorded liens), public civil judgments, bankruptcy filings, tax liens, or significant lawsuit judgments. Use public-record searches (county registries, PACER for federal suits, state court lookup), corporate registries, and reputable press coverage. Flag items when only partial/indirect evidence exists.

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